Happy Vision

foggy lake
Photo by Quang Nguyen Vinh on Pexels.com

I looked in to the distance, not so far away,
the sparkling lake was dancing
to celebrate a perfect day.
Spring burst through the mother earth
and coloured it with sun
painted it with brightness
and completed it with fun.
I looked upon the picture
and felt my soul awake,
then a temperamental notion
was to jump into the lake.
instead I breathed in firmly
and I fell into the day
and let this happy vision
take me out to play.
I walked into the open air
the suns arms hugged me tight
and I held that shiny feeling
til it disappeared at night.

©Eilidh G Clark

If I Can’t Find You, I’ll Try To Find Myself

Everything is hushed, even the waves hemming the sand seems to hold their breath. Dawn is breaking and teasing the horizon. The world seems warmer. Tiny orange  crabs scurry sideways into jagged rocks and now I am alone. I feel naked. Alive. All that I hold are my most intimate thoughts and a new respect for life.

Visiting the Maldives had been a distant dream of mine, since – well since forever. I had lost my mother seven months earlier. Her sudden departure from my life was not only tragic but deeply confusing. Life as I knew it had changed. I found myself searching for answers instead of comfort and could not see beyond the noise. Seven months had passed and I found myself frustrated. I spent too much time sitting on my doorstep, looking to the sky and searching. I found nothing. Waiting for nothing is the most desperate way to pass the time. You feel the outside expanding rapidly from your doorstep while you slowly shrink inside your own head. After receiving a small windfall, it didn’t take me long to find my escape. “If I can’t find you, I’ll try to find myself.”

I watch the sun climb. Shocking red and orange slices flash upon the placid sea. Blood rushes around my body; my head feels light and my skin tingles. I want to grab this vision and stamp it urgently in my memory; nothing had been or ever could be this beautiful.

Sunrise is followed by nature. The salt water and wet sand creep up and swallow my legs. Schools of fish swim daringly close to me examining by pale white limbs. I enjoy teasing them with my toes.  A stingray skims the surface of the shore, round , large and flat like a piece of old leather being carried by the waves. I stand up and follow it until it disappears into deeper water. “Time is irrelevant. Time is unconnected to the world outside. The world outside is now extinct”.

I am walking. My island has opened up to people. Swimwear –  bright and cheerful which somehow looks dishonest here. Every soul I see equally treasures the silence. I see the emotion on every face that turns toward me. Passion has touched their soul. Passion has touched my soul.

I find a spot under a palm tree. It is a light relief from the burning sun as the fan like branches shade my skin. A tiny lizard scurries up the rough bark and hides from me. I have stolen its place. I close my eyes and breathe in a smell of warm salty sea and dry foliage. It is the pure and clean smell of the natural world, stripped back to its rawness, undeveloped and unpolluted.  Unspoiled.  All of my senses are kick-started. I am alive.

Hours pass, or perhaps it is just seconds but the next thing happens alarmingly quick. The brilliant blue horizon turns charcoal grey. In the blink of an eye the neighbouring island vanishes. The atmosphere feels instantly charged. Excitement and fear presses heavily on my skin and I watch in wonder as the sea trembles and spits out her waves as she chokes in the dense air. Colossal globes of water pelt from the heavens onto the world below. All at once I am alone again. Noise booms in my ears from the waves and rain and the intense screeching from the unhappy bird high above my head in my palm tree. I am motionless. I watch the storm gather itself, teasing my island with its wildness and ferocity, and I long for it. My heart pounds in my chest, my ears scream as I suck in the humid air and hold it as my body wretches. My eyes explode with tears cascading from deep inside my broken heart. I clench my fists and my eyes stare ahead, finally seeing myself through my blurred vision. I sob for my mother, I weep for the loneliness I feel without her and for my uncertain future.

Almost as quickly as it begins, the rain stops. The world stops. Only for a moment.Like I am caught between when time began and when time ended. I am nothing but am everything. The sea throws its last wave onto the wet sand then lies still,  tranquil. Silent.  Before my eyes is a florescent sea. A bright shocking bath of glory against a cruel bleak sky.

My eyes dry. The grey moves along the horizon until all that remains is a flawless sky that never ends. The sun lies down  on the clear and rested water and time resumes.For the first time in a long time I understand. My close encounter with a tropical storm has awakened me. Like the storm, my grief is fierce but beautiful and will eventually pass. I am alive. I can be whole.

©Eilidh G Clark

Bringing Life to the Poem

As a poet, I feel I have to invest parts of my own identity into my work in order to build a relationship with the poem – I need to feel it tug on my sleeve.  This means that prior to writing about a particular subject I have to take an emotional journey. This might mean simply touching parts of my mind that are easy to reach, however, it often means scouring through dark and lonely emotions that I have tucked away. I find this process is an essential part of my preparation. The emotional link, for me, is the most honest way to bring the subject to life.

The uniqueness of any poem comes from the link between the poet and the poem. The truth is the soul of the poem. The truth is etched into the poems conventions. Without an emotional link, language is flat, motionless, and stale. If I were to write about a tree, any tree, the tree is lifeless unless I can create an emotional link. A link could arise if it was planted as a remembrance for someone I love, or if the tree provided shelter during my first kiss. If a leaf falls from the tree and brushes my face, it may spark a memory of a loving touch. The tree might have a knot that resembles the face of an old school teacher or smell like the time I smoked my first cigarette in the woods. The swish-swish of the branches might bring to mind a road sweeper cleaning up litter, and my anger at people’s disregard for the environment. Without an emotional connection, the tree is just an object, an image, a flat word on a page. Poetry, ‘opens a corridor between the head and heart,’ (Andrew Motion, 2012) a statement I fully agree with.

In my own work, I use truth and personal experience in addition to the poetic conventions as an art form. In discussing the making of poetry, Jamie said that ‘just as much as sound and rhythm, what makes a poem is its relationship with truth’. (Kathleen Jamie, 2012).  I believe that truth allows the poet to work more closely with form, imagery and most certainly tone.

I am greatly influenced by poets such as Carol Ann Duffy, Chris Powici, Raymond Carver and Kathleen Jamie an. Duffy’s relationship with truth is evident in ‘Stealing’:

Part of the thrill was knowing

That children would cry in the morning. Life’s tough.  (Carol Ann Duffy).

The blunt words and lack of emotion from the speaker actually give the poem an emotional feel. The tone is sombre, almost desperate.

Truth for me is found in reality, my own reality, and in experience, emotions, and a connection with the natural world. Finding the truth in the everyday, and exploring language, form the basis of my work. Therefore, the need that I have to invest parts of my own identity in poetry means building a relationship with the poem – I need to feel it tug on my sleeve.

©Eilidh G Clark

Bibliography

Duffy, Carol Ann, ‘Stealing’, in Emergency Kit: Poems for Strange Times, ed. by Jo Shapcott and Mathew Sweeny (London: Faber and Faber Limited, 2004)

Jamie, Kathleen, ‘Holding Fast – Truth and Change in Poetry’, in Strong Words: Modern Poets on Modern Poetry ed. by W.N. Herbert and Mathew Hollis (Northumberland: Bloodaxe Books Ltd, 2012)

Motion, Andrew, ‘Yes and No’, in Strong Words: Modern Poets on Modern Poetry, ed. by W.N. Herbert and Mathew Hollis (Northumberland: Bloodaxe Books Ltd, 2012)

My World in a Ring

For Helen

It was not mine when it caught my eye,

I had never seen treasure like this before;

An opal stone set firmly in gold

Had lured me into the antique store.

 

Now it sat in a box amongst breakfast and tea,

Eight slices of toast with a message in cheese;

Toast perfectly buttered and words written neat,

Marry me?

 

Such a mighty feast adorned my table

That my brain was not quite comprehending,

The offer of marriage in edible love

And the unanswered question still pending.

 

My eyes filled with tears and the word “yes” escaped

And the ring flashed like sun and like fire,

She tenderly slipped the ring onto my finger,

For my love, I just could not deny her.

 

I mused over the jewel that now circled my finger;

Of its journey, its life and it’s past,

Who wore it before me, and who gave it up?

Was it a symbol of love that still lasts?

 

Was it owned by a lady who travelled the world,

Who read Shakespeare and Milton and Pope?

Did she write words with new inspiration?

Did the ring give her courage and hope?

 

Did she sit in a café and hold hands with her love?

Did they fill life with lobster and wine?

Did they explore foreign lands, discover by chance

The opal amongst darkened mines?

 

My ring holds the secret to questions I pose

Locked tight in six claws of rich gold,

The oval shaped opal like a world filled with fire,

And serpents and magic and wonder untold.

 

The magic consumed me as I strolled to the light,

The stone changed from fire into ocean,

Its sky filled with morning, with sunbeams

And clouds and a light show of pleasure and motion.

 

 

My gem is unique in this world, like no other,

It’s a rainbow enclosed in a stone,

Revealed to the world through endurance and skill,

It’s a lifetime of pleasure I own.

 

I wear it with pride on my left hand, fourth finger,

I imagine the gem’s sweet voice sing,

“You are unique, you are precious and have

fire in your soul, and your world will live on in this ring.”

 

©Eilidh G Clark

%d bloggers like this: