I was working at The Old Mill in Killin today. The community is doing a school uniform swap in conjunction with a kids clothing sale . I was there to collect the uniforms. I had a bit of paperwork to do for the shop (I run the wee Reuse shop in the village), but I had time to spare. So, seeing as I had my laptop with me, I decided to pass the remainder of my time editing my novel in progress. I couldn’t think of a better location to edit. The Old Mill is a three storey mill, once used for Tweed making and grain. It is no longer a working mill, but an important part of the village. It sits by the Falls of Dochart, a picturesque spot in the Scottish Highlands. How lucky am I to be able to work on my novel while the water rushes by outside, just me and wee Margaret, the mill ghost.
My plans this afternoon were to make my way down to the river for sunset. It has been another damp and raw day and I’ve hardly been outdoors, preferring the warmth of the under floor heating. But at just short of 3.30pm, I ventured out. I took Kimber, my youngest dog, she’s great company and isn’t too bothered where we go as long as there is something interesting to sniff, lamp posts, bins, fox poo, you know the likes.
With a little time to spare we trotted off down the street. On the way, we met several people who stopped to chat. Due to the time and the fading light I would normally have waved and passed by, but the people who stopped needed an ear and, I felt, some kind words. It’s easy to assume that everyone is merry and all wrapped up in Christmas joy, but that really isn’t the case. So many people are grieving at Christmas, from the loss of a loved one, to family who can’t be close because of covid, etc, etc. And people have worries too, illness, finances, loneliness, addiction, the list goes on. Christmas for many can feel like an enormous burden, so it’s no wonder that the weight of those brief conversations stopped me in my tracks, I too feel the weight off worry and loss at Christmas.
Stop
Listen
Be present
I made it to the river at 15.45pm, but only after giving my best wishes, my ear, and to one person, the wish of laughter on Christmas day, I do hope they get that wish. I took a moment by the river bank to reflect on my short journey and concluded : It wasn’t important to be by the river at 15.42pm, I would get there eventually, I was in the exact right place at the exact right time for someone else, and that made absolute sense to me. Below is a short video of the river.
River Lochay, Killin
After standing for a minute or two, we headed to the park, after all, puppy time is fun time.
My sunset might not have gone to plan, but I hope by pausing at the right time, someone elses day was a little easier. Merry Christmas everyone. Peace xxx
The snow has melted from the mountains leaving only patches of white in the deepest crevices. The rivers are roaring and, with the constant rain fall in the last week, the river banks have burst. From the park the farmers field looks like loch Tay and the ducks have reallocated there for the day.
Falls of Dochart, Killin
With an abundance of water though, comes an abundance of reflections, and I love a reflection. It’s like the water is capturing just a fragment of the world and holding it still.
Despite all of the flooding though, today was the first time this year that the warmth from the sun touched my skin. It is a wonderful feeling. I was mid walk with Helen and the dogs and I just stopped, closed my eyes, and soaked it up. Recognising this moment is an important tradition for me. I like to acknowledge that I am experiencing the cusp of change – in other words spring, and then let that feeling of newness wash over me. I know now that my little world will become greener, the garden will come to life, walks will be slower and days longer.
But returning to the now and to the reflections I spoke of earlier, I would like to leave you with a prompt.
PROMPT
Write a small memoir/true life story where water plays a significant part. Imagine you are viewing that moment in a puddle, what does it look like? Really delve into the details, what colours do you see, what shapes? Is there multiple faces in your puddle or just your own? How does the person you are now feel about the reflection? How does the person you where then feel about what was happening at the time? Can you compare and contrast your emotions? Has the shape of the puddle changed over time? If you could drop a pebble into your puddle and distort it or even change the reflection, what would you want it changed to? Or would you freeze it that way forever?
Where does a poem come from? Where does it begin? When does a thought become a creation?
The same applies to prose. Where does that unplanned story strand come from? How, in a split second, can a character fall in love without first consulting it’s creator?
Is it inspiration?
Or Magic?
I was walking the dogs yesterday. We went to our usual haunt which is generally the big field down by the river. The weather was average for Scotland in January, dreich, windy with a wee bit mizzle in the air, and damn cold. I was trying (and failing) to stop the dogs eating rabbit shit, while being careful not to step awkwardly on the uneven ground. I wasn’t thinking about anything in particular, in fact, I was just looking. I was looking at my feet, at the dogs, at the snowy mountains, and the people on the old railway in the distance. Suddenly, a sentence popped into my head.
I miss the sea.
This was followed by:
I miss the sea fi when a wis wee
Fair enough, I hear you say. Don’t we all miss what we can’t have at the moment in time, the pandemic has taken so much. And besides this, I’ve seen and heard references to the sea over he past few days through various mediums, so perhaps this subconsciously inspired me. The thing is, I haven’t written any poetry or prose since the start of December 2020. There is a number of reasons for this, (as discussed in previous posts, and I’m not going to bore you with them now), but I wasn’t looking for inspiration, or magic for that matter. And perhaps you don’t think the above lines could be classed as poetry, I mean, the two lines are statements aren’t they? Perhaps. But then the next line came to me in a rhythm so perfect, that I pulled my phone from my pocket and recorded it. This is written in Midlothian vernacular.
I miss sand stickin to ma broon sauce piece
Is it sounding as epic to you as it is to me? Try saying it out loud, with a pause after sand, and the second line rolling of your tongue.
Or if you understand measuring meter in poetry:
I miss sand (strong, weak, strong)
Sti-ckin to ma broon sauce piece (strong-strong, weak. weak, strong, weak, strong).
Okay, you might not be as excited about the birth of my new poem as I am, but watch this space.
Back to my question though…
Did the poem arrive because of inspiration, or was it magic? My opinion is that it’s a bit of both.
Let me give you another example. Whilst working on my current novel in progress, Little Red Rowing Boat, I have become more and more aware of how often a new thread/strand appears during the writing process. This thread is unplanned, it might be an unexpected character appearing, a childhood flashback, and often a key plot line that materialises from no-where. I often find myself in a trance like state when I’m writing, or deep writing. This is when the magic begins. I generally do plan my writing before I sit down; I pretty much know the direction the story will flow, but regardless of my intention, there’s a genie in my head that sprinkles star dust on my fingers while I write and weird shit happens. Is it just me?
I wrote this poem during my MLitt year at the University of Stirling. The plan was to select one of the many sculptures in and around the campus and write a creative piece based on that sculpture. This was aimed at children between the ages of 9-12.
Growing Form is an acrostic poem; a visually pleasing as well as challenging form for younger students. I also increased the word count on each line of the poem to incorporate the theme.
Growing Form
Gargantuan, Rising up Out of Shangri-la. Waking the whispering world, In melancholy maddening moans that Night cannot conceal; his silhouette unravels. Gathering height, he reaches, cutting sky with
Fork like antlers until the stars collide – like Orion. He awakens the hunter. Down the cosmic fire Rains upon the earth, blazing scorn and fury, and the Mighty beast bellows. He gathers up the river and runs.
Mid April, calm yet breezy night, I walked in the dark and was guided by moonlight. The world was silent and the only sound were the leaves in the tree’s and my feet on the ground. Alas I was tempted by songs in my pocket And the picture of you that hung in my locket, But I felt that a change had grown wild in my brain Like the seasons were changing, and so was the pain, A stranger had challenged my withering heart Twas the first real arousal since we’d been apart, I looked at a distance but fantasised near and the prospect of new love sent shivers of fear. But she clawed like a blackbird at passions inside And I craved her like coffee like a moon and the tide. She danced on my gravestone, she lay on my skin And she started a bonfire that burned from within But the night was so lonely and the stars became shy As the moon rode the heavens and rivers ran dry. I looked to the shadows to picture her face But shadows are demons that laughed in its place And leaves brown and crisp sung tunes to my feet The drizzle of rain arose perfumes so sweet And the dark was forever and my thoughts took flight She kissed me so tender in all shades of night. But the season was April and the time was ‘not yet’ And the moonlight was kind and my destiny set.
Eilidh G Clark 