It has been a day of rainbows here in the Scottish Highlands. I have counted six in total, ranging from faded half rainbows, to a full arcs.
We were out with the dogs today when Helen said to me, isn’t it amazing that we live in a world that does that, and pointed to the rainbow. I have to agree. I’m almost 49 years of age, and a rainbow still stops me in my tracks. They are a gift from mother nature, a reminder of her power, and that beauty still exists amongst the dreariest of days.
Write a poem, or a story beginning with the line – If she was colour blind, why did she chase rainbows?
I began writing a novel on 1st April 2020, and tonight, at 11pm, I typed the last two words – The End.
What a journey it has been. What started as a love story, turned into something quite different.
I competed the novel in 77,234 words, 34 chapters and a possible sequel on the cards.
I guess the most important thing for me whilst writing this novel was a loose plan, and a refusal to follow a process. I’m not one for forcing myself to write when I’m not feeling it, or building the writing muscle as I’ve heard it called. I don’t have a method, I’m prone to procrastinating, and I only write when it brings me pleasure.
I feel a sense of not quite knowing how to feel right now. Maybe tomorrow that’ll become clearer, but for now, I’m satisfied.
Is the ocean chained to the land or is the land chained to the ocean? Are we free is this world or are we chained to a system that benefits the few over the many? Are we chained to a system who would drown those in need in order to keep those who don’t afloat?
I planned to write a prompt based on the above image but when I posted, all I could see is a big rusty chain and it got me thinking. Is it time for change? Can capitalism survive this pandemic or the next? How do the wealthy survive when there is no more capital, do they win or loose? Will the many ever be free from their chains?
Okay. I have a prompt
Write a short story in the form of a news article, T.V news report or radio report named, The Day That Money Ran Out.
Where does a poem come from? Where does it begin? When does a thought become a creation?
The same applies to prose. Where does that unplanned story strand come from? How, in a split second, can a character fall in love without first consulting it’s creator?
Is it inspiration?
I was walking the dogs yesterday. We went to our usual haunt which is generally the big field down by the river. The weather was average for Scotland in January, dreich, windy with a wee bit mizzle in the air, and damn cold. I was trying (and failing) to stop the dogs eating rabbit shit, while being careful not to step awkwardly on the uneven ground. I wasn’t thinking about anything in particular, in fact, I was just looking. I was looking at my feet, at the dogs, at the snowy mountains, and the people on the old railway in the distance. Suddenly, a sentence popped into my head.
I miss the sea.
This was followed by:
I miss the sea fi when a wis wee
Fair enough, I hear you say. Don’t we all miss what we can’t have at the moment in time, the pandemic has taken so much. And besides this, I’ve seen and heard references to the sea over he past few days through various mediums, so perhaps this subconsciously inspired me. The thing is, I haven’t written any poetry or prose since the start of December 2020. There is a number of reasons for this, (as discussed in previous posts, and I’m not going to bore you with them now), but I wasn’t looking for inspiration, or magic for that matter. And perhaps you don’t think the above lines could be classed as poetry, I mean, the two lines are statements aren’t they? Perhaps. But then the next line came to me in a rhythm so perfect, that I pulled my phone from my pocket and recorded it. This is written in Midlothian vernacular.
I miss sand stickin to ma broon sauce piece
Is it sounding as epic to you as it is to me? Try saying it out loud, with a pause after sand, and the second line rolling of your tongue.
Or if you understand measuring meter in poetry:
I miss sand (strong, weak, strong)
Sti-ckin to ma broon sauce piece (strong-strong, weak. weak, strong, weak, strong).
Okay, you might not be as excited about the birth of my new poem as I am, but watch this space.
Back to my question though…
Did the poem arrive because of inspiration, or was it magic? My opinion is that it’s a bit of both.
Let me give you another example. Whilst working on my current novel in progress, Little Red Rowing Boat, I have become more and more aware of how often a new thread/strand appears during the writing process. This thread is unplanned, it might be an unexpected character appearing, a childhood flashback, and often a key plot line that materialises from no-where. I often find myself in a trance like state when I’m writing, or deep writing. This is when the magic begins. I generally do plan my writing before I sit down; I pretty much know the direction the story will flow, but regardless of my intention, there’s a genie in my head that sprinkles star dust on my fingers while I write and weird shit happens. Is it just me?
I would like to know your thoughts on this matter. Please leave a comment.
I’ve just finished watching the opening concert of Celtic Connections 2021. What a show it was. I love music. I love hearing it sung in many languages as well as in my own tongue. Music brings people together, joins the dots between this land and that, builds bridges and, forms connections. Tonight’s prompt isn’t entirely a prompt, it’s a: FINISH THIS.
Write a poem, story poem, flash fiction or short story beginning with the line,
Let me sculpt music from this old silhouette
The only thing I ask is that, if you use this line and then post it on your blog, please credit my blog. Plus, I if like your post, I’ll share it.
We were on our first caravan holiday in Arbroath, me, Helen and Kimber (we didn’t have Millie at that point). It had been a hell of a week, Kimber was stung by a jelly fish, then a bee the following day, but was treated to her first ice cream cone by the harbour while we tucked into some greasy chips.
It was our first time on Arbroath. The seaside town looked tired, ramshackled in parts, but with pockets of charm dotted around and we fell on love with the place. The beach was long, and at one end flies buzzed around slimy seaweed, rotten and stinking. But in the opposite direction, it was wide, flat and when the tide slipped away into the distance it left silver mirrors in the golden sand.
Famous for its Arbroath smokies (smoked fish), we expected the harbour to reek, but instead, we were greeted with the smell of the salty sea spray that lashed the rocks and soaked our faces. The smell of garlic from a nearby restaurant hung in the air, and as we passed fishing boats tied to metal cleats, a waft of engine oil. I was struck by how much colour was to be found on the coast, from the lobster crates stacked in piles, to rows of washing flapping in the wind above a small cove, to the pretty white lighthouse, stark against a blue sky. One night, we even saw a supermoon.
There was one place that stood out above the rest though. It was close to the end of our holiday and we were wandering. We’d climbed a hill above the harbour and had a picnic while looking down at the orange roof tops and the grey sea, then we strolled by the abbey, and shortly after, into a hidden garden. It was tucked away, between Arbroath’s high street, a park and a rural area. We wandered through an archway into a beautiful walled garden. The garden was in bloom with red roses, white roses, trees, a manicured lawn and a variety of shrubs. There was a wooden bench where we sat for a while. All around us, birds sung in bushes and trees, butterflies fluttered and insects buzzed, hovered and jumped. It was a lovely day and the garden offered shade and a pocket of quiet and stillness, a rest from the world outside.
I have such fond memories of this trip, and I never intended to write such a big post.
But perhaps a prompt?
Okay. Write of place of tranquility, somewhere hidden amongst the hustle and bustle of busy life. Was it found by surprise, why was it there, what did it look like, smell like, sound like, feel like? Was it surprising and did anything happen that changed you or your character? Now hide something, bury it, hide it in a wall or a tree or amongst shrubbery? What was it and who will find it?
This is me, my partner Helen and our youngest dog Kimber.
I love this photograph so much, it says a lot about our little family. The photograph was camptured by Helen’s mum while we were camping at Comrie Croft in Perthshire. You can see that is was a happy day, a fun day. I think we were relieved, it rained loads while we were there, but on this day, there was a break from the grey, the cold and the dampness, and it lifted our spirits.
Write a story or poem about a group of people camping, but write it in two parts.
The first should be set inside the tent. The weather is cold, wet and grey. Everyone is a bit damp and miserable. What does the atmosphere feel like? Is there conversation? What can you see, smell, taste, feel?
Now write the second part. The weather has changed, the clouds have shifted and the sun is high in the sky. The tent is suddenly warmer, there are voices outside as people unzip their tents and venture out into the bright open field. How does the mood change inside, and then outside of the tent. What happens? How does it feel? What can you see, smell, taste, feel?
There is so much going on in this photograph and that’s why I took it. It was taken outside the 17th century mansion Bannockburn House. Notice the man in his traditional Scottish dress, the wheelchairs – one neatly placed, one abandoned. Then there is the bike propped under a window beside a 1980’s wire bin.
Using the photograph above, write a short story or poem about arriving late to a party and finding yourself back on 1984. When did you realise and how? Who was there that you haven’t thought about in a long time? How was everyone dressed, what music was playing and what was on the buffet?
I haven’t seen the sea for over a year. Living in Killin, I am close to several lochs and rivers, but there is something special about the sea. For me, it’s a feeling that wraps around my ribs like a hug. It’s that feeling of wonder, the mystery of nature and the universe. The sea is a place for contemplation, for stillness and a place to feel whole.
I love this photograph , I snapped it while walking on the beach at St Andrews. The photo is of some teenagers huddled together on the sea wall. I couldn’t hear their conversation but I noticed the long pauses where they all looked out into the endless grey water. Perhaps they were thinking about their studies or their future, perhaps they were lost for a moment in a memory. I like to think they were contemplating their place in the world, their responsibility to the earth and her future
Write a story with two characters, each going through individual difficulties in their lives. The characters should not talk out loud to one another, but sit together on a sea wall watching the sea. The story should record their thoughts, perhaps scattered like a stream of consciousness, or like an internal conversation or monologue. Notice the difference between the characters voices. Did the sea calm them or increase the storm within?
There’s a house that sits in the corner of our street, except it isn’t actually in our street. It’s across the road and three doors to the left, which means it belongs to the street around the corner. I’m not sure it should be there, or in our scheme, or anywhere that is – well here. It’s not a real house. It’s one of those kit houses that you buy from Ikea that gets delivered flat pack, in a huge cardboard box with plastic ties around it that you have to cut open with a blade. The instruction leaflet must have been massive and I wonder if they had to pin it to one of the huge oak trees in the field behind the house. It must have taken twenty folk to hold up the walls of the kit house while they bashed in all the rawl plugs to hold it together and I can’t even imagine how many packets of wood glue they used to make it stick good and proper. I didn’t notice it when we first moved here. It just appeared one day; all shiny and new with pink coloured pebbles all stuck to the walls and shiny brown roof tiles. I think all of the rain must fall on the kit house and wash it clean because all of the other houses in our street look orange and brown next to it. Since I noticed it there, I can’t stop looking at it. I’ve been watching it for months now. I want to lean against it and see if it rocks to the side. And there’s always the temptation to pick at the pretty pink pebbles that kind of look like the pink woodchip we had in our last house, and after picking that, I got into heaps of trouble – but that’s a whole different story. I think it must have come all the from Ikea in Texas because it has a porch, kind of like the ones you see on the telly where the front door juts right out; like it’s shouting to the postman that this is the door that you need to shove your letters through. I think if I was a kit house, I’d be embarrassed. It’s not polite to be on show like that and it not polite to shout and scream at the postman either.
I’ve started polishing my shoes since I noticed the kit house, and I make sure my socks are pulled right up over my knees so you can’t see the scabs that are starting to peel off from when we played the Grand National along the back gardens in Randolph Crescent. I tripped over an empty booze bottle and my knees got grazed on some plastic grass. Plastic grass, what’s that all about? I bet the kit house has plastic grass in the back garden, it means you don’t have to borrow a lawnmower from one of your neighbours when the council say that they won’t cut it anymore. I saw a program on the telly last week about a woman who was buying a big old house, a real one, and it had a big old back garden, full of weeds and trees and old bricks and stuff. The man on the telly said she should get rid of it all and put some plastic grass down instead. I don’t get it. Why get rid of all the real stuff and replace it with fake?
I’m watching the kit house right now. I’m hiding in the grass in the front garden just behind the bit of the fence that Bert fixed by nailing the gate to it. This is where I always hide. Bert is ninety-one and lives on the top floor of our flat. He doesn’t fix fences anymore. The council cut his side of the grass because he’s proper old. Ours has to grow. We can’t afford a lawnmower and Mum says you can’t be going and asking people for their lawnmower in this day and age, it’s not like the old days when all our front door where open – whatever that means. I bet in the auld days they didn’t have houses that came on the back of an Ikea motor all the way from Texas. I like the grass to be long any way. Long grass means I can hide. I’m the perfect spy you know, best in Hillpark. I can lie in this grass all afternoon and no one can see me. But I see everything. Like the time Peter’s dog ran away, she came into the garden and lay beside me and I tickled her belly then fed her some of my brown sauce sandwich. I told her to stay quiet and she fell asleep curled up beside me. Peter has four dogs so I didn’t think he would be too bothered because he’d be busy doing all the feeding and cuddling with the other dogs. It was only when he started shouting on her that I started to worry. Then some of the neighbours started talking to him and I heard him saying he was worried ‘cause she isn’t well. She looked fine to me except for the big lumps on her leg that made the fur fall off. Anyway, I took her back a wee while later and said I found her down at the stream. I’m good at telling fibs, all spies are. Peter looked well pleased and Elaine – that’s his wife, she cried a little bit. I got fifty pence for bringing her home and that’s not bad for a day’s work. Another time I was peeping out through the grass and I saw Jimmy kissing a woman in the back of a taxi. Jimmy stays over the hall from us and is well old, and he looks like Santa. It was gross really, because old folk can’t have girlfriends or boyfriends because old people aren’t meant to kiss. My mate Benjamin said it’s because they haven’t got teeth and when you kiss without teeth, you could suck someone’s face off. Jimmy must have had his falsers in because the woman still had a face when the taxi went away. But I did see Jimmy looking all around for the Police or something. The kit house is the best thing ever for spying on though. I heard Marion over the road telling my Mum that it used to be a Bookies, which I think means library because that’s where you get books from. They must have built the kit house on top of the library. I’ve been watching the kit house very closely for days now and I’ve got a rash on my knees from all the midge bites. So far, I’ve seen three people leave the kit house with big heavy bags. And the other day, a weird thing happened, I saw someone go in with a brief- case, he was in there for ages, and when he came back out, he was shaking his head and there was a woman at the door crying. Then the next day after that I got out just in time to see an ambulance drive away. Mum had made me sit on the couch for ages while she rubbed nippy stuff into my midge bites so I missed the good stuff. I wonder if a whole pile of books fell off the shelves and onto someone’s head.
I’m glad it’s the weekend again so i can get back to business. The Red Cross van has just parked outside the kit house and there are two men going inside and coming out with boxes and boxes and black bin bags full of stuff and filling up the van. I wonder if the boxes are full of books because the bookies have so many that they keep falling off the shelves and landing on people’s heads or something. Now the woman who was crying the other day is on the porch, she’s looking over at my garden and I’m worried she has seen my orange cagoule through the grass. I bury my head under the hood, lie flat, and wait. It’s raining today and it feels all wet and sticky, even under my hood. My breath is proper loud, and I have to gulp it back because I can hear the clickity click of high heels close by the fence and I’m scared I’ll blow my cover. The clicking stops but I’m in disguise under here. I can hear a rustle in the grass beside me and I hope it’s not Peter’s dog or she’ll give the game away. But then it stops. I hold my breath. The clicking starts again and it’s further away now. I lift the corner of my hood up just in time to see the door of the kit house closing. There’s a box beside me. It’s just a brown box and it has little rain drops all over it. I look all around and even though my cover is still safe, I don’t know how it got there. I leave it on the grass and open the flap, slowly. My belly is all nervous and it makes me want to pee. Inside the box is dark and my fingers touch cold metal, curved and smooth. I’m scared to open the box right up. I put the lid back down and get on my feet. Carefully, very carefully. I pick the box up and hold it in the palms of my hands. I walk through the grass, slowly, letting it brush against my legs. I carry the box up the two steps and into the hall. It feels heavy and dangerous and I can hear my breath, louder that in my cagoule hood. I have prickles in my hair. I walk into my house. Mum is on the big chair watching the telly.
“Mum, someone left thus in the garden.” I lay the box on the coffee table and stand in front of her.
“What?” her mouth is full of muesli and some of it sprays onto the box lid.
We both stare at it. I watch Mum’s fingers as she lifts the lid. Slow as anything and I grab my hood and pull it up and over so my eyes are covered. Mum starts laughing.
“You’re a donut,” she said, “Look.”
Inside the box is a pair of binoculars. Black metal ones with red lenses. Mum takes out a little card and hands it to me.
To the little spy over the road, I hope you enjoy these as much as I did. From the old spy over the road.
If you want to enrich your story, look at it from a different perspective. For example, if this photo is turned the correct way around, what does the protagonist see? But when it’s turned on its side, the view suddenly changes. Could the protagonist be lying down, or have fallen? Have they been looking for clues to solve a mystery that is revealed from this new perspective? Changing the way wee look at a scene, by either changing where we view it from or, from a different character’s point of view, can bring a whole new perspective to the scene, and perhaps add a new strand to the story.
Stanley Harrison Unwin Galloway was not supposed to die first.
Margo pulled the front door shut and hobbled out onto the veranda. She put her mug of hot tea onto the table then pulled out one of the plastic chairs. Fastening her fingers around the handles, she began to lower her fragile body on to the seat. She held her breath, knuckles white under the patio light, arms trembling, but her elbows buckled and gave way. She gasped. Her bottom hit the seat with a thud. The chair skidded backwards – with Margo holding on for dear life – and its four legs scraped the concrete, ripping a roar into the night. She sat rigid, her heart thumping hard in her chest. She blew out a long whistling sigh. Clumsy old fool. A large brown moth tapped the light above her head. She watched as it hovered and tapped and hovered then dived, down towards her face. Unfastening her fingers from the chair, she swiped the air. The moth darted back into the light. Shug would have scolded her for swiping the moth, “God created this world for all living creatures, not just the pretty ones.”
“Oh Shug,” she wrapped her arms around her chest. Her shoulders shook and tears welled in her eyes. She coughed out her sorrow in a whisper.
“Stanley Harrison Unwin Galloway, you were not supposed to die first.”
She wiped her tears on the sleeve of her dressing gown and inhaled the night. Autumn had begun to creep into the corners of the garden in little cold curls, and the air smelled of damp foliage and chimney soot. Margo looked out into the darkness and saw the moon, a white eyelash resting on a purple blanket.
The tea was hot. Margo held the mug to her chest and twirls of steam rose into the air, dampening her face. She turned away and caught her reflection in the patio window. How time had altered her face, it used to be so soft and smooth but now it hung in folds of sagging flesh. And those lips – sucked dry into a shrivelled line. She swept a strand of hair that had blown onto her cheek and tucked it behind her ear. How she missed her long fiery curls, her most defining feature back in the day. Now her hair was as grey as the chimney smoke chugging the air. Shug had barely noticed her changing though. “You’re bonnier than the sunset o’er the Forth of Firth,” he’d say, “as bonny now, as the day we met.” Shug had gone grey first. He was only twenty-three when it happened. In a single year, Shug’s hair transformed from bold black into fading grey. It was the year after Pearl died. Margo sipped her tea from trembling fingers. She heard the sound of a door opening, closing, and then footsteps. In the darkness, she could see the silhouette of a tall slim man walking down the pavement. It was Billy, her friend’s Grandson.
“Evening Mrs Galloway,” he waved, “Starting to get a bit nippy out eh?”
“Aye Son, it is.”
He continued walking. She watched as he stopped at the far end of her fence and lit a cigarette. The flash of orange light glowed for a moment, then he disappeared into the night. All that remained was the sound of his footsteps and a dancing orange dot. The smell of tobacco drifted through the air, lingered for a few seconds and she felt a flutter in her chest. She inhaled deeply. Margo had never smoked, never even tried it, but she had grown used to the smell of a newly lit cigarette. It reminded her of the first day that she had met Shug.
It was a warm afternoon in the spring of 1964. She was working from home at the time, a seamstress by all accounts, though a self-trained one. She had even built herself quite a reputation in the village where she lived. A craftswoman, the locals called her, “with an eye as sharp as a needle and fingers that can turn a tattie sack into a gown.” When Shug turned up at the foot of her steps, a handsome young man with a pair of trousers draped over his left arm and a cigarette paper balancing between two fingers, she stood in the doorway and watched him. He knew she was watching, but his eyes were focused on his fingers while he tore the wiry brown tobacco, spread it into a line then folded the paper, rolling and licking and rolling again. When he was done, he put the cigarette into the corner of his mouth and looked up.
“Are you Margo McNabb?” he cocked his head to one side.
“Aye.” She blushed and looked at the trousers over his arm.
“Great, my Maw said you could maybe take up the hem of my trousers,” he held them out. “Can you do it for me?”
Margo looked at the trousers and then at her visitor. He was short and stocky and the trousers would have been a good two inches too long. She sniggered.
“Aye okay,” she turned her back, leaving the door ajar, “Come on in.”
He followed her and closed the door.
“Who’s your Maw?” Margo asked taking the trousers and nodding her head to an empty seat.
“Betty, Betty Galloway. She said you two were pals during the war. Do you mind if I…?” he pointed to his cigarette and raised his eyebrows.
“Aye go ahead, but you’ll need to take it into the scullery. Do you want a cup of tea?”
“Go on then.”
He got up from the seat and followed her through. Margo filled the kettle and put it on to boil.
“So you’re Betty’s laddie. Stanley is it?” she asked dropping two teabags into the teapot.
“Aye, but call me Shug, hardly anyone calls me Stanley anymore.”
“Alright Shug,” she leaned back against the wall and folded her arms. Shug lit his cigarette. He took a long draw and blew the smoke up to the ceiling.
“Nice place you have, Mrs McNabb.”
“Not Mrs,” she felt her face burning, so she turned to the cooker and fidgeted with the kettle, “Just Margo will do.”
“Just Margo eh? Interesting.”
She turned back around and watched as he blew little hoops of smoke into the room.
“Me and your Maw, we had some good times together, she used to wash and iron the clothes that I fixed, she was always singing, kept us all going so she did.”
“I bet you could hold a tune yourself,” he winked.
“Well I tried.” She twirled a lock of hair around her index finger. “Anyway, those were hard times back then, nae money for luxuries and all that.”
“Make do and mend,” he said, “Aye, she still goes on about it.”
A car engine rattled, snapping Margo out of her memory, and abruptly back to 2010. She jumped, and looked out into the street. It was normally so quiet at this time of the night. The car drove past. Lifting her mug, she took a gulp of tea but it was almost cold. She put the mug back on the table. Television lights flickered in the window opposite and an upstairs light in the house on the left, turned on. A curtain twitched. She watched for a moment then stretched her legs out in front of her. Flopping her head back, she looked up at the darkening sky. She closed her eyes and sighed, letting her thoughts drift off again. ‘Make do and mend’, she thought, ‘just like our wedding.’ In the space of a year, they had gone from talking in the scullery to walking down the aisle. It was a shame it had been such a small ceremony. Not many people approved of the twenty-seven year age gap. Shug had looked so charming in his taken-up trousers and suit jacket, while she had worn a dress she made herself. Oh and how wonderful she had felt in that beautiful dress, satin and lace that expertly skimmed her three-month baby bump.
Pearl was born in the back of an ambulance, eight days late, and after seventeen hours of labour. She was a scrawny little pink bundle – with a temper as fierce as her fiery hair. And those eyes, those little blue eyes that looked up at her Mother and filled her joy. They had fallen in love instantly. Margo remembered bringing her home, swaddled in a crocheted shawl. It took Shug a few days to hold his daughter on his own though.
“She’s not a bomb for goodness sake,” she took the baby from him and told him how to position his arms. He sat back in the rocking chair, and she placed the little bundle back into his arms. He stared down at her, a new twinkle in his eyes.
“She’s a gem.”
“Aye,” Margo smiled, “She really is. Are we giving her a name?”
“Pearl,” Shug replied, “Her name is Pearl.”
“Pearl.” Margo whispered her daughter’s name into the night. “I’ve missed you all these years.”
A cold breeze ruffled her hair and tickled her face. It felt like tiny ghost fingers touching her playfully. With her eyes still closed, she held on to the lingering chill. She touched the pendant that hung on a silver chain around her neck. Shug had bought it for her birthday in 1968, the year that Pearl died. She could still remember him dropping the pendant into her hand and closing her fingers around it. The stone had felt as heavy as the ache in her chest.
“I don’t want it.” She threw the pendant back at Shug. She hadn’t even remembered it was her birthday. After all, she had only buried her daughter three weeks earlier.
“But it’s Mother of Pearl,” he placed it on the bed side table, “Like you, the Mother of Pearl. It’s to remember our little girl.”
“What? You think a stupid necklace is a replacement for my baby? Really?” her body convulsed and tears fell from her swollen eyes.
“You’ll always be her Mum, Margo. You will.”
“Her Mum? But it was my job to look after her, not to dilly dally at some stupid ladies group. She was only three, for Christ’s sake, my only child. I should have been with her.”
“It’s not your fault,” he sobbed, “I should have been watching.”
Margo looked away from him and clenched her teeth.
“I only took my eyes off her for a second to roll my fag. I didn’t see her run. I didn’t see the car.”
“Come on Margo, you have to believe I’d never have let anything happen to our wee girl, not on purpose.”
“Too late. Where is she now Shug, eh? Where is my bairn?”
Shug bent down to touch her face. She swiped his hand away.
“Don’t touch me!” She shouted and pulled the covers up to her neck. “Just don’t”
“I’m so sorry,” he fell no his knees and wept into his hands, “I’m so sorry. Oh God. Oh God!”
Margo could still remember his cries, even now – forty-two years later. She shook her head, dropped the pendant onto her chest, and stared out into the darkness. Poor Shug. He’d never been the same after the accident. It hadn’t been easy for either of them to – just get on. But they did – get on – or at least they did their best. The television had stopped flickering in the window across the road. All the other windows were dark. She was alone.
Margo had always imagined that she would die first. Shug had joked about how he would go off and travel the world with all of their money when she was gone. After all, the success of her sewing business had allowed her to save for many years; so much so that she had comfortably retired at sixty. She remembered asking Shug to consider early retirement from his job in the carpet factory.
“I’ve plenty years in me yet.”
“But we can afford it, and you’ve worked so hard for all these years, don’t you want to spend more time at the dancing? You love the dancing.”
“We can dance anytime. Look,” he took her hand and pulled her into an embrace, then spun her around, catching her and kissing her on the nose.
“But we could do other things. You know. Together.”
“Get on a train and go somewhere new. My goodness, we could travel the world.”
“I already told you,” he slapped her bottom, “I’m going to travel the world when you’re dead and gone. What else am I going to do with all that money you’ve got stashed.”
“Stanley Harrison Unwin Galloway, you are a bad man.”
But alas, it wasn’t to be. Shug was forced to retire in 2004 due to ill health. He was diagnosed with emphysema and heart problems. It had begun as a cough that had lasted for three months.
“Is it no about time you gave up on the cigarettes?” she’d asked him, knowing full well that he wouldn’t.
“How am I supposed to give up the fags now,” he said, “I’ve been smoking since I was eight.”
Shug had often recalled his early childhood memories to her. He had worked in his uncle’s cigarette factory when he was just a boy. He told her how he would sweep under the machines, collecting the loose tobacco in a paper bag so him and his pals could meet in the hay field after school and smoke the scraps. Margo had laughed about it, and people didn’t know the risks back in the fifties, and most of the boys did it.
Margo worried. Shug had lost his appetite and had grown thin, adding years to his face. His bottom lip was tinged in blue. He spent much of the day asleep or sitting up in his armchair reading the paper. Margo began to sleep in a chair beside his bed. One night, at the beginning of 2005, his heart stopped.
“I saw her Margo. I saw her standing there, waiting for me,” he gripped her hand through the bars of the hospital bed.
“She’s waiting, I saw her, and she was smiling.” Shug tried to sit up, but she put her hand on his shoulder and bent over him. Her back ached and her eyes filled with tears.
“She forgives me, my little girl.” He closed his eyes.
“It’s not time yet.” She said and kissed his finger then held them to her lips. “I’m taking you home.”
“Oh Margo, I’m ready to go now,” he turned his head towards her but never opened his eyes, “Don’t let them bring me back next time. Promise me?”
“I, I don’t know.” She whispered.
“Don’t let them bring me back.”
Margo looked up at the sky. It had turned black. She was glad that Shug had managed another six years after that, and although he began to fade away, his love never faltered. And he learned to laugh again. “You better get spending that money, Mrs Galloway.”
She reached for her mug; it was as cold as stone. Pouring the remaining tea into the wilting fuchsia in the flower box, she sighed deeply. She pushed her arms against the plastic chair and steadied herself. Her legs trembled and she shivered. The night had sunk into her dressing gown. She had waited long enough. Straightening her back, she walked slowly into the house. It was just as she had left it. The armchair, the ashtray filled with cigarette ends, and Shug. She kissed his cheek, closed his eyes, and watched another white eyelash fall to his purple blanket.
“Stanley Harrison Unwin Galloway, you were not supposed to die first.”
Tears rolled down her face. She picked up the phone.